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Daniel D's avatar

Great post, Mark! The story about Jesus is powerful and conveys some deep truths that we only dimly understand. If we take St Paul at his word, he had a personal revelation of the risen Lord, yet said that in this life, we can only "see through a glass darkly." The details of the story were changed for theological and political reasons (one need only note the differences between the 4 gospels to see this), so who knows what the historical Jesus was really like or how much of the mythos maps onto any historical reality. But that story!

Something I've entertained as a possibility: would it make a difference in the story's meaning or Truth if (assuming a multiple parallel universes) the story of Jesus actually did happen the way it is believed (or at least the key points of it) in one universe, but just not this one? What if our desire to map the mythos onto the historical and religious record is just some dim, dreamlike intuition about a story that actually did happen in a different universe in another dimension? Would it really change anything for us, in terms of how we should understand and relate to the story? (Honest question; I really don't know.)

Anyway, thanks for the though-provoking essay!

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John Carter's avatar

This was excellent, Mark. Insightful and thought-provoking, touching on a number of deep issues. Indeed, this is precisely the sort of conversation I was hoping to provoke.

I'd actually meant to mention in my last piece, but forgot to (I always forget something), Dante's inclusion of Brutus (and Cassius Longinus) stuffed into the mouths of Satan in the 9th circle of Hell, alongside Judas. To me that suggests rather strongly that Dante's sensitive artist's soul perceived some deep symbolic kinship between the two figures. That, or he knew something (but let's not get too Dan Brown....)

Regarding Magdalene, big mea culpa on that one. I think I'd picked up the 'affair' bit via cultural osmosis - I don't think I've ever seen the movie in question. Somehow that got lodged in my mind without getting checked. However, that influenced my inflammatory phrasing more than anything. If I recall, Carotta also draws a connection between Cleopatra and Magdalene as symmetrical dramatis personae in the respective stories, which was what I was drawing attention to.

There's a lot to think about here, some subtle points that I'm going to have to ponder over as I compose a reply. Exactly the sort of stimulation from which the best insights emerge.

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